The New Social Order

Reserve your place in The New Social Order. You’ll cut the line and gain access to luxury accommodations, superb and unstuffy service, as well as coveted nightlife and restaurant exclusives.

I consider myself a...

(Check all that apply)


Cougar (or Panther) Town!


Luis Gispert’s ‘Pin Pan Pun’ show is the go-to gallery show for art flies in the Windy City.

Here is what the Rhona Hoffman gallery says about the fantasist’s solo-exhibit work:

“Working within the fields of photography, sculpture, and video, Gispert has been widely recognized for his distinctive portrayal of cultural stereotypes and fantasies.

In this current exhibition, a linguistic artifact is the starting point for a new chapter in Gispert’s re-telling of social desire and secret histories.

“Pin pan pun” is Cuban slang for a foldaway bed, a trundle or cot. The phrase is an onomatopoeia describing the three-step process of the bed’s assembly. Each syllable represents one of its steps: Pin, the fastener that keeps the bed folded is undone. Pan, the bed opens and flattens out. Pun, you lie down.

In Cuban exile communities like the one in which Gispert grew up, the pin pan pun was a popular household accessory. Pulled out of closets and garages and assembled awkwardly in living rooms, it marked the arrival of the recently immigrated relative. The pin pan pun was code for surprise visits, news from afar, for stories to be told late into the night.

With this new body of photographs and sculptures, Gispert moves inward, into a home full of unexpected visitors, strange bedfellows, and chance meetings.

A series of silver gelatin prints depict studio-constructed compositions photographed with an 8×10 camera. The images are mounted upon boxes whose sides refer to the color or material of the represented objects. In “Simpleton Badness” (pictured here) the ubiquity of a Noguchi coffee table is literally turned upside down by two black panthers.

Re-combinations and intersections also figure into Gispert’s sculptures. In Narrowcaster, the viewer considers a 6-foot sugarcane stalk spearing a 22 karat gilded coconut, poised upon a laminated fiberboard base. A Hydro-Stone curb finds itself pierced by a spine-like series of 4-inch hoop earrings. Sculptures point to an archaeology or history: imitation gold rope chain is excavated, carved, and shown in relief.”

Rhona Hoffman Gallery is located at 118 North Peoria Street, Chicago. Gallery hours are Tuesday–Friday, 10 am–5:30 pm, Saturday 11 am–5:30pm.

The show runs through December 1st.